Surprise! (Or not.) The new MCA

April 17, 2012

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Christian Marclay, The Clock, 2010, single channel video, duration: 24 hours. Image © the artist. Courtesy White Cube, London and Paula Cooper Gallery, New York.

OK. It’s official. I’ve been in denial for a while now, but since the MCA failed to invite me to their grand re-opening, which was surely the art scene event of the year, I’ve been forced to admit it. I’m off the A-list. It’s hardly a surprise. I haven’t written for the SMH for a… [Read more…]

Posted in: The Ugly

Art at the Coalface of Consumerism

March 4, 2012

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Ah, the annual art drought. So little to see and even less to say. But it’s March already. Time to get back to work even if it is a little post the event…. post even for The Post Post. Ironically, or perhaps completely appropriately given the fact that it was January and Sydney-siders one and… [Read more…]

Posted in: The Bad

Acts of Kindness: Nice Idea. But …

October 15, 2011

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Landy standing on his 13-metre installation in lower Martin Place.

Not all good ideas make good art works. Michael Landy’s Acts of Kindness, the latest Kaldor Public Art Project, is a case in point. Highlighting unexpected moments of generosity and compassion between strangers is a nice idea; what’s not to love? In a culture driven by the mantra, “Me, me, me” Landy has managed to… [Read more…]

Posted in: The Ugly

Oh MONA

August 12, 2011

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MONA. The excavated sandstone wall was as impressive as the art. Photo: T. Clement.

I finally made it down to Hobart to visit the Museum of Old and New Art (MONA). Even though it only opened in January, to hear people talk, it seems just about everyone in Sydney has already made the trek south: this private museum appears to be single-handedly re-invigorating Hobart as a tourist destination. And… [Read more…]

Posted in: The Bad

Tell me a Story: Michele Beevors

July 12, 2011

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Image from Michele Beevors's invite.

I went to an exhibition opening last week, without knowing the name of either the show or the artist. I’d been intrigued by the image on the invite, a floppy, knitted skeleton splayed in disarray. And the work did not disappoint. Curious enough to wonder what the titles were, I asked the artist (Michele Beevors… [Read more…]

Posted in: The Good

When is new old and old new?

June 22, 2011

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David Haines and Joyce Hinterding The outlands 2011, production still. Courtesy of the artists and BREENSPACE, Sydney

  What is new media? In Unguided Tours: Anne Landa Award for Video and New Media Arts 2011, the term seems to embrace digital animation, digitally composited photos, motorised sculpture and little videos surrounded by lots of bits of stuff. None of this seems terribly new, which poses the other obvious question: when does new… [Read more…]

Posted in: The Ugly

Kurt Schranzer: The Great Walls

May 22, 2011

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Kurt Schranzer, 'Palace Wall', 2008–2010, acid catalysed varnish, wood veneers, medium density fibreboard, plywood, welded aluminium frame, 210 x 120 x 6 cm. Fabrication with Josef Schranzer.

“It takes one to know one!” is a classic schoolyard retaliatory tactic. It’s a defensive response to a variety of taunts, used to best effect when flung back immediately with vitriolic sass. But it can also be an accurate observation. When I say Kurt Schranzer is a perfectionist, you can believe it. After all, it… [Read more…]

Posted in: The Good

1+1=1

March 24, 2011

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Sitting Gecko Girl_thumb

I haven’t been posting very regularly of late. I know. There I go again, stating the obvious. However, I thought you all deserved an explanation. I’ve been busy getting ready for my own solo show, 1+1=1. I won’t go on about it since The Post Post motto is, “No previews, promos or propaganda.” But don’t… [Read more…]

Posted in: The Bad, The Good

Lucas Grogan: Men Behaving Badly

February 27, 2011

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Captions: Lucas Grogan, ‘X DISARM X 12’, ink, watercolour and acrylic on matt board, 32.5 x 24.5cm, 2011. Courtesy: Iain Dawson Gallery.

Lucas Grogan’s Black + Blue paintings have been billed as “dangerous”. Don’t believe the hype. Initially they do seem provocative. At first glance, Grogan seems to have appropriated painting styles usually reserved for Indigenous artists in Arnhem Land. But on closer inspection, his blue and white ovals have as much in common with Willow Pattern… [Read more…]

Posted in: The Good

Blinding us with talent: Rew Hanks

February 11, 2011

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cropped_banks

  As an artist, Rew Hanks is too bloody talented for his own good. The technical prowess of his printmaking skills is more than impressive. It is dazzling, numbing, paralysing. Faced with his picture perfect lino cuts, even seasoned art-world professionals become stunned mullets and start uttering inane things like, Wow, how long did that… [Read more…]

Posted in: The Good
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